Michael spent many iterations developing the formulation for the paper, using as a guide a print he made on Kodak Azo paper chosen for its broad range of grays. This newly developed paper is intended to reproduce the look and tonal range of Azo papers, which Kodak discontinued. He feels to have succeeded and exceeded expectations with Lodima. He then contracted with a company in Germany to manufacture the paper. After two runs in 2008 and 2012, he is ready to start looking at another manufacturing run.
While the Michael and Paula's online store still lists a number of sizes of Lodima, photographers who would like a particular size that is not in stock are recommended to contact them to place an order. In the past, Michael did not charge for orders until the paper was manufactured and ready to ship.
The paper is suitable for contact prints, particularly from large format view cameras, but any large negative will work. Being a slow paper (not very sensitive to light), exposures take a long time with enlargers.
Those who have used it have made claims about its tonal range and beauty. Here are some testimonials:
- “The paper has marvelous tones...maybe the deepest blacks I have EVER seen in a silver print.”
- "Is the paper Azo? No, I think it is much nicer. It has a lovely scale, tone and paper surface which I find much more appealing."